Archive for November, 2007

Antonio Mancini Exhibition, The Philadelphia Museum of Art

Sunday, November 18th, 2007

Exhibition Surveys the Achievements of Antonio Mancini, Italian Master of Verismo

One of the most prominent Italian painters of the late 19th century, Antonio Mancini (1852-1930) was at the forefront of Verismo, the Italian response to realism. A brilliant colorist and technician, Mancini is known for his daring and innovative painting methods characterized by unusually thick impasto and the inclusion of glass, metal foil and other materials onto the surfaces of his paintings. Antonio Mancini: Nineteenth-Century Italian Master, on view at the Philadelphia Museum of Art (October 20, 2007 – January 20, 2008) includes more than 40 works by Mancini, celebrating a group of paintings and pastels that recently entered the Museum’s collection as a gift from the estate of the American collector and dealer Vance N. Jordan (1943-2003). The exhibition surveys the major themes of Mancini’s career, which brought him from the legendary slums of Naples to Paris, Rome and English country houses. It includes not only his haunting portrayals of circus performers, street musicians, and impoverished children from the streets of Naples, painted in the years following his studies at the Istituto di Belle Arti, but also the portraits Mancini produced for society patrons and several of his reflective self-portraits which chronicle periods of both inner turmoil and the serenity brought by old age and fame.

The international loan exhibition, the first solo exhibition devoted to Mancini in the United States in more than 100 years, it highlights the paintings from the Vance N. Jordan Collection together with important works from museums in Boston, Chicago, New York, Paris, London, Dublin, Turin, Florence, Naples, and Rome, as well as private collections in the U.S. and Europe. The exhibition was organized by guest curator Dr. Ulrich Hiesinger, an independent scholar who has written widely on nineteenth century art.

The Philadelphia Museum of Art is among the largest art museums in the United States, showcasing more than 2,000 years of exceptional human creativity in masterpieces of painting, sculpture, works on paper, decorative arts and architectural settings from Europe, Asia and the Americas. The striking neoclassical building stands on a nine-acre site above the Benjamin Franklin Parkway and houses more than 200 galleries. The Museum offers a wide variety of enriching activities, including programs for children and families, lectures, concerts and films.

For additional information, contact the Marketing and Public Relations Department of the Philadelphia Museum of Art at (215) 684-7860. The Philadelphia Museum of Art is located on the Benjamin Franklin Parkway at 26th Street. For general information, call (215) 763-8100.

Antique Maps and Antique Prints

Sunday, November 11th, 2007
Antique Maps & Antique Prints Upcoming Events

November 15, Chicago. 5:30 pm, Chicago Map Society. Ruggles Hall, Newberry Library, 60 West Walton St. A Mirror of England: Maps and English Mentalities, 1500-1620. A lecture and discussion by Peter Barber of the British Library. Reservations recommended. Please call 312-255-3689.

November 15, Washington, DC. Washington Map Society. 7:00 pm. Geography and Map Division, B level, Library of Congress, Madison Building, 101 Independence Avenue. The Spectacle of Maps in Antebellum America. A presentation by Dr. Martin Bruckner of the University of Delaware, looking at the cultural importance of wall maps in the U.S. from 1776 to 1860. For more information, email Howard Lange, or call 703-532-1605.

November 17, Chicago. 2:00 pm. Field Museum, 1400 South Lakeshore Drive. Robert W. Karrow, Jr., and James Akerman of the Newberry Library will talk about the story behind the unique exhibit Maps: Finding Our Place in the World, currently at The Field Museum. Karrow and Akerman will discuss how a diverse team managed to bring more than one hundred of the world's greatest maps to Chicago.

November 29, Chicago. 5:30 pm, Chicago Map Society. Ruggles Hall, Newberry Library, 60 West Walton St. The Cartography of Slavery and the Authority of Statistics. A discussion by Susan Schulten of the University of Denver, who looks at early examples of statistical cartography in the United States through the prism of slavery maps. Reservations recommended. Please call 312-255-3689.

November 29, London. 5.00 pm. Maps and Society Seventeenth Series Programme. The University of London, Warburg Institute, Woburn Square. Complementing the Text: The Maps of G. B. Ramusio's Navigazioni e Viaggi (1554-1559). Dr Margaret Small, of the Department of History at Keele University. Open to the public, free admission, followed by refreshments.


Antique Map & Print Exhibitions.

For a full listing, please visit current exhibitions for antique maps & prints.


Antiquarian Book & Map Fairs

November 16-18. Boston. ABAA Boston International Antiquarian Book Fair . Hynes Convention Center. Tickets and full information about this major show are available at their website.

November 17, Boston. Book Print & Ephemera Show. For more information, call 413-441-1010 or email bbshows@aol.com

November 24, Portland, Maine. Maine 2007 Antique Paper Show. Holiday Inn West, 81 Riverside Street. 207 828-8065.


Auction Calendar

November 15, London. Sothebys. Travel, Natural History, Maps, & Atlases.

November 27, Bath, England
. Bonhams. Printed Books & Maps, Part 2.

December 4, Edinburgh
. Bonhams. Printed Books & Maps.

December 6, New York. Swann Galleries. Maps & Atlases, Natural History, Historical Prints, & Ephemera.

December 12, Gloucestershire, England. Dominic Winter Book Auctions. Printed Books, Maps, & Ephemera.


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Star Wars Action Figures, and the Twelve that Started it All

Sunday, November 11th, 2007

2007 marks the thirtieth anniversary of Star Wars. Hasbro is celebrating in a big way with their 30th Anniversary Collection of Star Wars action figures. But sometimes, it’s…

Mattel’s Recall and the Action Figure Industry

Saturday, November 10th, 2007

Earlier this week, Mattel issued even more recalls. It’s important to keep in mind that not every toy made by Mattel is involved in the recall, but since lead…

Penny Black Information

Thursday, November 8th, 2007
Penny Black
Penny black.jpg
Country of production United Kingdom of
Great Britain and Ireland
Location of production London
Date of production 1840
Nature of rarity World’s first adhesive postage stamp
Estimated existence Unknown
Face value 1-Penny
Estimated value £3- 4,000 (mint)

The Penny Black was the world’s first adhesive postage stamp used in a public postal system. It was issued by the United Kingdom of Great Britain and Ireland on 1 May, 1840, for use from 6 May of that year. All London post offices received official issues of the new stamps but other offices throughout the United Kingdom did not, continuing to accept postage payments in cash only for a period. Post offices such as those in Bath, began offering the stamp unofficially after 2 May.

Contents


[edit] History

The idea of an adhesive stamp to indicate pre-payment of postage was part of Sir Rowland Hill’s 1837 proposals to reform the British postal system; it was normal then for the recipient to pay postage on delivery. A companion idea, which Hill disclosed on 13 February 1837 at a government enquiry, was that of a separate sheet that folded to form an enclosure or envelope for carrying letters. At that time postage was charged by the sheet and on the distance travelled.

Postal delivery systems using what may have been adhesive stamps existed before the Penny Black. Apparently the idea had at least been suggested earlier in Austria, Sweden, and possibly Greece.[1]

Hill was given a two-year contract to run the new system, and together with Henry Cole he ran a competition to identify the best way to pre-pay letters. None of the 2600 entries were good enough, so Hill launched the service in 1840 with an envelope bearing a reproduction of a design created by the artist William Mulready and a stamp bearing a representation of the profile of the reigning British monarch, Queen Victoria. There are also references on the record to covers bearing the Mulready design. All British stamps still bear a picture or silhouette of the monarch somewhere on the design, and are the only postage stamps in the world that do not name their country of origin, leaving the monarch’s image to symbolise the United Kingdom.

A Penny Black, with a red cancellation that was hard to see and easily removed

In 1839 the British Treasury announced a competition to design the new stamps, but none of the submissions were considered suitable. The Treasury chose a rough design endorsed by Rowland Hill, featuring an easily recognisable profile of 15-year-old former Princess Victoria. Hill believed this would be difficult to forge. The head was engraved by Charles and Fredrick Heath based on a sketch provided by Henry Corbould. Corbould’s sketch was based on the cameo-like head by William Wyon, which had been designed for a medal used to commemorate the visit of Queen Victoria to the City of London in 1837.[2][3] The word “POSTAGE” appeared at the top of the stamp (revenue stamps had long been used in the UK) and “ONE PENNY.” at the bottom, indicating the amount that had been pre-paid for the transmission of the letter to which it was affixed. The background consisted of finely engraved engine turnings. The two upper corners contained star-like designs and the lower corners contained letters designating the position of the stamp in the printed sheet; “A A” for the stamp at the top left, and “T L” for the bottom right. The sheets, printed by Perkins Bacon, consisted of 240 stamps in 20 rows and 12 columns. As the name suggests, the stamp was printed in black ink.

Although 6 May was the official date that the labels became available, there are covers postmarked 2 May, due to postmasters selling the stamps from 1 May. A single example is known on cover dated 1 May 1840.

The Penny Black was in use for only a little over a year. It was found that a red cancellation was hard to see on a black background and the red ink was easy to remove, making it possible to re-use stamps after they had been cancelled. In 1841 the Treasury switched to the Penny Red and issued cancellation devices with black ink, much more effective as a cancellation and harder to remove. However, the re-use of stamps with the un-cancelled portions of two stamps to form an unused whole impression continued, and in 1864 the stars in the top corners were replaced by the check letters as they appeared in the lower corners, but in reverse order.

[edit] Printing

Jacob Perkins’ press, that printed the Penny Black and the 2d Blue

The Penny Black was printed from 11 plates, but as plate 1 was completely overhauled due to excessive wear, it is generally considered to be two separate plates, 1a and 1b. Plate 11 was originally intended solely for the printing of new red stamps, but a small number were printed in black. These are very rare.

The stamps were printed in unperforated sheets, to be cut with scissors for sale and use.

An original printing press for the Penny Black, the D cylinder press invented by Jacob Perkins and patented in 1819, is on display at the British Library in London.[4]

[edit] Rarity

The Penny Black is not a rare stamp. The total print run was 286,700 sheets with 68,808,000 stamps[5] and a substantial number of these have survived, largely because envelopes were not normally used: letters in the form of letter sheets were folded and sealed, with the stamp and the address on the obverse. If the letter was kept, the stamp survived.

The Penny Black is readily available on the collectors’ market; a used stamp in poor condition can cost as little as £10 ($20); in 2000, a used stamp in fine condition cost about £110, an unused example about £1,600, with prices steadily rising. By contrast, a used Penny Red was £1.50.

[edit] The VR official

In addition to the general issue of the Penny Black, a similar stamp was produced with the letters V and R in the top corners replacing the stars, intended for official mail. Following the general public’s acceptance of the postage stamps and the ridicule of the Mulready stationery produced at the same time, vast supplies of the letter sheets were given to government departments, such as the tax office, for official use and the idea of introducing an official stamp was abandoned. Only a few postally used examples exist, which probably originated from the Post Office circulars sent out as advance notice that the new stamps would be brought into use. Four are known on covers; all were cut from their envelopes and then replaced. Most of the cancelled examples are from trials which were made of cancellation types, inks, and experiments with their removal. These trials led to the change from black to red stamps, and vice versa for the cancellations.

The VR official is stated[attribution needed] to have been made from the original master die. However, this cannot be the case as this die still exists with the original stars intact, in the The British Postal Museum & Archive in London. It is believed that the master for this stamp was produced from the transfer roller used for the production of plate 1 with the stars removed from the top corners, as some impressions show traces of these original stars.

[edit] See also

[edit] References

  1. ^ Lawrence, Ken (2000). “Before the Penny Black”. Ken Lawrence. http://www.norbyhus.dk/btpb.html. Retrieved 2008-06-28. 
  2. ^ H. W. Hill, The Fight for the Penny Post, London and New York, Frederick Warne (1940), pp. 75-79. See Plate 1.
  3. ^ Taylor, R.A.. “Wyon City Medal – 1837″. Images of the World. http://www.imagesoftheworld.org/stamps/wyon.htm. Retrieved 2008-06-28. 
  4. ^ British Library collections – Philatelic
  5. ^ “Great Britain: Wednesday, May 6, 1840″. First Issues Collectors Club. 2003-11-03. http://www.firstissues.org/ficc/details/gb_1.shtml. Retrieved 2008-06-28. 
  • Golden, Catherine J. (2009). Posting It: The Victorian Revolution in Letter Writing. [University Press of Florida]. ISBN 978-0-8130-3379-2. 

[edit] External links

© This material from Wikipedia is licensed under the GFDL.

Shockwave “Busts” into Transformers High-End Collectibles

Tuesday, November 6th, 2007

Diamond Select Toys have revealed information on the upcoming Shockwave bust for their Transformers line of statues and busts. It’s sculpted by Art Asylum, stands six inches tall, and…

Christmas Comes Early…Oh, the Horror!

Saturday, November 3rd, 2007

It’s kind of scary to hear Christmas music playing in department stores the moment Halloween is over. But what’s even scarier is a new series of action figures from…

Halloween is Over, but the Spooktacular Continues

Friday, November 2nd, 2007

If you haven’t been following Sideshow Collectibles’ website, you’d better start paying attention. During the course of the week, they’ve been giving away several prizes. Some of the…